This is not what I should be doing right now

[brighteyedjill]

I still have a couple dozen unanswered comments. I'll respond to them, I swear. Also on deck: editing my heroes_exchange fic, Syluke comment fic, Star Trek kink meme fic, more Kirk/Spock fic (this time with 70% more plot!), and Sweet Charity fic. Plus sleeping, work, and real life. Pshaw.


Stolen from speccygeekgrrl. It's like a shameless, customizable kink meme...Kinda!


If you want to play, it works like this:
1. Visit the master list, select your favorite 100
2. Post your favorite 100 behind a cut in your LJ (or if you can’t pick 100, as many as you can without going over)
3. Your f-list’s job is to write you “comment pr0n” for your favorites. (Or if you can't decide, try picking a random number and challenging yourself!)
Bolded for extra-special favorites ♥




1. Abuse (sexual, emotional, and/or violent childhood abuse; past abusive relationships; character A's abuse drives character B into arms of character C; the wounded child as an adult archetype)
2. Anal penetration with foreign objects [What can I say--use what's lying around!]
3. Angst (see Emotional themes)
4. Animalistic behaviors and characteristics, dominant (snarling; sniffing; scent-marking or biting; other claiming acts; territoriality; predatory stalking; cuffing; forcing the partner's neck down; claws and other features)
5. Animalistic behaviors and characteristics, submissive (feral characters or behavior; domesticated pet behavior such as sitting at owner's foot and cheeking their thigh; purring; licking; characters objectified as animals, e.g., ponyboys)
6. Anti-heroes (sympathetic villains; villains with principles; noble demons; enemies who keep their word)
7. AUs (alternate characterizations and situations; sex between alternates of one character or between different characters; alternates as catalysts for realization of desire; role reversal; darker mirror universe characters; mistaken identity)
8. Auctions (slave or charity)
9. Bad boys (punks, rebels; see also Rogues)
10. BDSM
11. Begging or offering (begging or pleading for mercy, for sexual release, to be taken; a character offering himself; neediness)
12. Beloved hostages (royal, diplomatic, or business hostages; see also Abduction as seduction)
13. Biological imperative (pon farr or mating drive; being in heat) [Um, with the new Star Trek slash obsession I have building, I predict this will be important in the future]
14. Brothels
15. Canon (canon elements/canonicity heightens characterization or scenario) [This is, when canon can be counted on... *cough*Heroes*cough]
16. Childlike characteristics (innocence and simplicity; trustingness; truth-speaking, playfulness; boyishness and mischievousness; wounded child characters; orphans)
17. Claiming or establishing ownership (private or public; by gesture, word, or ritual; with sex; with a collar and leash; with scent-marking or by biting)
18. Clothes fetishization (of any kind, e.g., uniforms; leather gear; worn blue jeans; thigh-highs; stilettos; leather jackets; tuxedos or GQ wear; constricting or modest clothes; boxer-briefs; going commando)
19. Collars (slave)
20. Conditioning (taming or breaking a character; training; brainwashing; Stockholm syndrome)
21. Conflicts and challenges (war and combat in general; sieges; Die Hard scenarios; jousting; gladiatorial games; wrestling and sparring; duels of honor; bets and sports competitions; romantic rivalries; seduction viewed as a challenge; misunderstandings and fights; break-ups; traded insults; stormy relationships; family strife; personality clashes; cultural differences; philosophical disagreements)
22. Crossovers (characters thrust into other universes; canon universes merged; sex between characters played by same actor)
23. Daddy themes (fetishization and role-play; difficult father-son relationships; sugar daddies; paternalism in general)
24. Dominance and submission (See also Submission; Servitude; Master and slave, etc) [This selection surprises no one]
25. Double penetration (anal, vaginal, or oral)
26. Emotional themes, emo-kink (angst; wallows; darkfic; emotional damage; psychological trauma; tragic pasts; broken characters; guilt and shame; mental instability; sadness and grief; abandonment or fear of same; characters who can't go home again; fear in general; nightmares; loneliness; broken-heartedness; failure; insecurity; self-hatred; self-mutilation such as secret cutting; suicide; see also Insanity)
27. Falling (falling from grace; going bad; turning to the Dark Side; Faustian deals; succumbing to temptation or addiction; degradation and descent in general)
28. Fisting (anal or vaginal)
29. Fuck or die
30. Healing or comfort sex (post-rape or abuse; affirming life in the midst of death; captives turning to one another for comfort; one character soothing another who is deeply upset or fearful)
31. Heroic gestures (nobility; self-sacrifice; risking self to save someone's life; Gift of the Magi scenarios; taking the partner's place for torture; trading sexual favors to guards to procure food or medicine for partner; heroic deaths)
32.Historical and period settings
33. Humiliation (erotic or non-erotic)
34. Hurt/comfort (emotional and/or physical, including torture of all kinds and degrees, and any form of caretaking)
35. Imprisonment, erotic (cages, cells, closets, coffins, etc)
36. Intoxication and altered states (aphrodisiacs; drugs or alcohol; sex pollen/spores; substances or devices that create arousal, affection, or dependency; speaking or showing the truth while intoxicated; visionary states)
37. Masquerade (a character pretends to be someone else, or something he's not, e.g., a nebbishy nerd must convince goons he's a ruthless arms dealer or assassin; a cop goes undercover in prison; a spy infiltrates an agency; a good guy pretends to be his AU evil twin; Cyrano scenarios)
38. Master and slave (erotic or romantic slavery, or otherwise; see Power issues)
39. Mindfuck, mindgames
40. Multiple partners (sequential/serial sexual encounters; orgies, gang-bangs, or group sex; puppy-pile cuddling; see also Sexual appetite or excess)
41. Non-consensual or semi-consensual sex (sexual extortion; bribery; reluctant or ambivalent partner; bondage and struggle; no means yes; other consent issues)
42. Penance or reform (bad boy turns good; evil seeks to change; performing acts of atonement or restitution; self-mortification; martyrdom; selflessness; apologies or apology sex)
43. Possessiveness or jealousy
44. Power issues (inequities in beauty, rank, or class; power games; BDSM; power reversals; sheikhs, sultans, princes, and other royal figures; teacher/student pairings; magical powers; abuse of power; blackmail; romantic slavery; liege/lord pairings; issues of respect; sexual scenarios such as a dominant character giving his partner to others to use, or a character kneeling beneath a desk and blowing someone who's on the phone)
45. Power issues, sociopolitical (colonialism; alien invasion or rule; institutionalized slavery; totalitarian states and rebellion; powerful secret societies, e.g., the Illuminati or Watcher-style organizations)
46. Prison scenarios (prison rape and/or protection; cruel guards; punishment; hard labor; deprivation; prisoners of war; camps and barracks; false imprisonment)
47. Prizes (characters who are eroticized as prizes or spoils of war)
48.Prostitutes (call-girls and hookers; rent boys and hustlers; escorts; paying one's way through school with sideline hooking; juvenile past on the streets)
49. Rape (single assailant; gang rape; partner rape)
50. Restraint (pinning someone down; pushing someone's arm up behind their back during sex; covering or clasping someone's hands to prevent movement)
51. Restraints (handcuffs, leather ties, chains, etc)
52. Reversal of role or fortune (loss of love, power, rank, etc; hunter becomes prey, master becomes slave; a strong character is made weak; role-reversal games; Flowers for Algernon scenario)
53. Rogues (outlaws, highwaymen, mercenaries, pirates, gangsters, hitmen, etc; black sheep and royal bastards; Han Solo characters; tricksters; see also Violent and dark natures and Rough behavior)
54, Roughnecks (cowboys; Tarzan figures; relatedly rough characteristics and behavior, such as scruffiness, rudeness, crude language, uncouth habits, etc; see also Lady and the Tramp pairings; Primitivism; Rogues)
55. Rough sex (quick and dirty sex; hate or grudge sex; angry sex; fighting/wrestling; jackhammer fucking; sex with no or little lube)
56. Sandwich sexual position or chain fuck (threesome)
57. School themes and fetishization (boarding schools; dojos; scholarly gowns and uniforms; sailor fuku; prep school chic; teacher/student pairings; donnish or professorial characters; prefects/head boys; caning; schoolboy hijinks or sexual discovery; military academies; tutoring and teaching in general; see also Conditioning)
58. Secrets, other (dark or criminal past; double lives; previous marriage and/or children; unspoken feelings)
59. Seduction (one-on-one; two-on-one; verbal or physical; intense erotic courtship or teasing; see also Courting)
60. Sex in public or semi-public places
61. Sex outdoors/outside (in a field; in a rainstorm; with snow falling; on the beach; in a graveyard; in an alley)
62. Sex slaves or mates (concubines, catamites, etc)
63. Sexual appetite or excess (hypersexuality, i.e., high sex drive; sex addiction or compulsive behavior; short/no refractory period; multiple orgasms; multiple partners; indiscriminate sex or sluttishness)
65. Silence (slave silence; silence as an erotic element in sex; trying to be silent during semi-public sex; going nonverbal or speechless with arousal; traumatic mutism; selective mutism; sign language; gestures used to convey feelings rather than words; see also Clams)
66. Situational engineering (the conscious or unconscious manufacture of events that give an emotional or sexual pay-off which can't be otherwise achieved; in particular, perilous situations; for example, character A puts himself in danger in order to receive fussy attention from character B; pay-off can be simply seeing someone, or hurt/comfort touching, intimacy, adrenaline sex, etc)
67. Situational homosexuality
68. Slavery (see Master and slave)
69. Sleep and bedding themes (sharing a bed by necessity, such as in a hotel with only one room left; sharing a sleeping bag for warmth; sex while drowsy or sleeping; sex as a sleep aid; autonomic arousal from proximity; morning wake-up sex, falling asleep against someone's shoulder; watching someone sleep; dreams; nightmares; dream lovers, e.g., succubi; exotic or romantic beds, e.g., canopied; furs as bedding; silk sheets)
70. Society (social mores and morality; laws; institutional regulations such as Don't Ask Don't Tell; elaborate rituals or ceremonies; social events such as feasts and parties; decorum; formal or deferential modes of address; see also Witnesses)
71. Special powers and skills (superhero powers; magical powers; telekinesis; shapeshifting; hyperdeveloped senses; combat expertise; sharpshooting; eidetic memory; computer hacking skills; thief skills; temporary gifts of power from drugs, alien devices, etc, repercussions of which could include delusions of godhood, dangerous physical or mental overload, and so on)
72. Submission (obedience; submissive behaviors such as boot kissing, crawling, keeping one's eyes lowered, or kneeling for master; believing in cultural dictates of submissive behavior; abasement in general)
73. Talking and communication issues (dirty talk or verbal seduction; sweet talking; reciting poetry; talking someone to orgasm; talking during sex; pillow talk; phone sex; speech becoming broken as one is aroused or upset; being inarticulate or articulate; aphasia; talking fast; miscommunication and misunderstandings in general; lack of a shared language; see also Silence; Clams; Voice fetishization)
74. Telepathy (see also Bonds and mental abilities; Special powers and skills)
75. Temperamental personalities (driven or obsessed; hot-tempered or testy; moody; misanthropic or bitter; abrasive)
76. Tentacle sex
77. Threesomes (M/F/M, M/M/M, etc)
78. Toys and devices (sex toys of all kinds; feathers, ice cubes, hot wax, etc)
79. Tragic flaws
80. Trapped or stranded together (on another world; on a desert island; in a cave-in; in a cabin during a snowstorm; in an elevator)
81. Triangles (love triangles)
82. Trust and vows (promises are kept or broken; loyalty or betrayal; absolute trust or doubt; fidelity or infidelity; blindfolds or bondage as trust symbols; commitment or fear of commitment; acts of devotion; marriage vows; unconditional love; blood brothers and oaths; showing trust/faith in someone's abilities)
83. Undressing (undressing in front of someone for the first time; one character undressing another; fumbling clumsily to get undressed; stripteases)
90. Urgency for sex (begging to suck cock; desperate to fuck; greedy bottom)
91. Violent and dark natures (sadists; assassins and murderers; sociopaths who make twisted, scary displays of affection, conflating love and violence; criminals and villains in general; characters who are ruthless, merciless, casually vengeful; soulless demons or vampires; monsters in general)
92. Virgins or inexperienced partners
93. Voice fetishization (cracking or broken; husky, low, throaty; purring; accents; whispering close to someone's ear) [Thank you Adrian Pasdar]
94. Voyeurism and vision themes (character A secretly watches B and C have sex; character A is forced to watch B and C have sex; character A watches character B perform/masturbate; viewing one's beloved in general; taking pictures or video; eye contact, especially as flirting; establishing authority with a look; closing eyes as a trust gesture; character A feeling that character B truly sees him, when no one else does; the quality of light, e.g., characters lit by moonlight or candlelight, or gilded by the setting sun; being in the dark; temporary or permanent blindness; gazes as objectification)
95. Vulnerability
96. Well-fucked (being fucked out; fuck-dazed; sated and sleepy; wrecked; softened and debauched)
97. Witnesses (families, friends, or others watch the development of a relationship; play matchmaker or serve as confidants; think the characters are involved when they're really not; constitute the public eye; disapprove, gossip, give advice; are the audience for a coming out drama; are witnesses to such things as flirting, public arousal, public sex)


Gah. I didn't quite make it to 100. I kept holding myself back, though, in case I ran into better kinks later in the alphabet ;) I'm pretty obvious about my kinks, though, so I don't think that many of these will come as a surprise to any of you.

Comments

[evidence-room.livejournal.com]

“Stop.” Nathan wishes his voice didn’t sound so weak, so terrified.

“No,” the man says, simply. He drops to his haunches, and runs a hand down Peter’s temple, over the pulsating gag, down his jaw. Peter tries to pull his head away, and the man tuts with irritation. With a quick wave of his hand, and the tendril around Peter’s mouth pulls away and slides up higher, curling up thick swath of his hair, to hold his head still. Mouth free, Peter pants hard, which only seems to heighten the man’s interest. He continues his caress, along Peter’s jaw, to run his fingers over his trembling lips. While his back is turned, Nathan quietly grabs a nearby piece of broken piping, and advances. The man should be distracted enough not to hear his approach.

Nathan is startled by a casual drawl. ”I wouldn’t do that, Nathan.” Peter’s eyes glance at Nathan above the other man’s head, round and dark. Nathan can see the warning there - stay away, stay back, don’t let him hurt you too. The man slews around to face him, face twisted with grim confidence. “These demons don’t like being summoned, and it takes a lot of energy to keep them here, under my control. If you kill me, or break my concentration in any way, this monster will disappear back to its own dimension. Along with anything it touches. Do you understand? It will take your beautiful young sibling with it.” Nathan hesitates, arms raised above his head ready to strike. The man stands. “You really don’t want to test me, Nathan. Unless you want your brother to be condemned to a lifetime of abuse by thousands of creatures just like this one.” Peter inhales sharply, and closes his eyes in distress. The threat washes over Nathan, fear seizing his limbs. He knows it's not a bluff. The man takes the pipe from Nathan’s nerveless fingers, and soon, Nathan is cuffed to a nearby wall by one wrist, shaking.

“Now, watch.”

The man turns his attention back to Peter, still fighting at the reptilian bonds. Peter looks up as the man crouches down again, eyes all too dark and inviting, even in fear. Nathan feels a shot of arousal in his spine. Peter couldn’t know how he looked, dark lashes fluttering, cheeks flushed, a swallow convulsing his throat. The man responds to Peter’s unwittingly erotic display as well - he moans in approval, pulls his cock from his pants, and starts to pump in a slow, repetitive motion. A flick of his other hand sends another large tentacle shooting out from the creature’s body, and Nathan braces himself for what will come next. The monster’s scaled arms pull at Peter’s hips, bending him at the waist slightly, ass pressed back against the writhing mound. Then Peter jerks suddenly, back arched, mouth dropping open in wordless shock.

Nathan can see the tentacle moving behind Peter, pushing slowly, pressing through what Nathan knows, what he knows intimately, is a sweet, tight heat. And in spite of his disgust, and the sick, stuttering of his heart, Nathan can’t look away. Because, fuck, even in this awful, enforced submission, Peter is beautiful. Muscles shining, tendons taught, narrow waist shifting against the unwanted contact. The living embodiment of Nathan’s darkest desires. They’d toyed with this, twisted games of dominance and bondage that Peter seemed to love as much as Nathan. But this – this was beyond even Nathan’s most depraved dreams.

Peter stills, eyes squeezed shut, biting his lip and quivering. The demon has stopped its drive forward – Nathan can’t imagine what it feels like, to be stretched like that, to be held fast and violated. He sees the man, tugging at himself with increasing desperation, give a short signal. In response, the appendage pulls back, holding for a moment before thrusting in deeply. Peter’s body spasms, and he lets out a high-pitched cry. The creature does it again, and again, settling into a rapid, rough rhythm.